Greatest Hits by Avalon
Reviewed by Jennifer Bogart
"...a
highly pleasing album that provides not only an enjoyable listening
experience, but one that leads its audience into an interactive state
of worship."
Over the past thirteen
years Avalon has become a mainstay in CCM. Their blend of pop, dance, and
R&B inflected songs that invariably
bring the honor to God are both infective and musically solid. Newcomers
to the group can’t go in wrong in starting with The Greatest Hits,
a generous sampling of sixteen of their most well known offerings.
Hard-core
Avalon fans already in possession of the groups previous hit-filled compendium
Testify to
Love: The Very Best of Avalon will find a large amount
of overlap between the two discs. As a newcomer to the group myself, each
song is fresh and previously unheard, but long time fans will find only
five tracks difference from the previous collection. In fact, the tracks
that were recorded specifically for The Very Best of Avalon such as “New
Day,” and “Everything to Me” have been taken from that
disc directly into this one.
Still, dedicated fans may be able
to justify the purchase. A new song, “Still
My God,” proves to be a real tearjerker, highlighting God’s unchanging
nature through our trials and challenges. The last four tracks on the disc: “All,” “You
Were There,” “Orphans of God,” and “In Christ Alone” have
been swapped in from previous albums.
“Orphans of God” is a particularly moving inclusion from Stand – a
symphonic, tender song of reassurance that celebrates God’s unending
grace. “All” is a somewhat more two-dimensional tune, exhibiting
a bounty, R&B influence. “You Were There” is an introspective,
mellow song with a surprisingly forceful chorus.
“In Christ Alone” draws from the vein that is ever popular amongst
CCM artists – covering traditional hymns with their own distinctive
arrangements. A beautiful rendition, Avalon’s take on the hymn features
heart-plucking harmonies, big, bold vocalizations, and poignant guitar accompaniment
in the simpler sections that bursts into an array of strong percussion back
up during the chorus.
The classics that were previously
included in the last greatest hits collection are clearly appearing again
for a reason. “Testify to Love” is
an addictive headliner that pops into my head throughout the day and demands
to be sung. “Knockin’ On Heavens Door” proves itself as
a perennial favourite on account of it’s chorus that depicts the insistent,
never-ending prayers of a believer confident in her position as a child of
God.
Personally, I could have passed
on “Give It Up” from the oldies
but goodies section of the disc – somewhere between the heavy reliance
on synthesizers and the embellishing “na na na’s” I tune
out. Likewise the dance-style rhythms of “Wonder Why” generally
leave me cold. “New Day” rounds out the trio of tunes that I
wouldn’t have missed if they’d been left out of the compilation.
There are some true Avalon classics
included that make the album. “Take
You At Your Word” is an insanely catchy, upbeat song that catches me
every time and finds me belting out the chorus at full volume. “Can’t
Live a Day” makes me cry more often than not as I’m reminded
of my complete dependence on Jesus, “The Glory” is a story song
that recalls Jesus’ life and sacrifice, and “Adonai” is
a slow song with understated accompaniment that nonetheless a heart-rending
cry to the creator.
I’ll admit that at first listen, the music struck me as somewhat fluffy,
but after repeated listening many of these songs have become woven into my
life. I’ve come to appreciate their theologically sound, yet still
entertaining perspective (not always present in CCM), the variety of represented
moods, and the clear vocal abilities of the group’s performers.
Avalon:
The Greatest Hits is indeed
a highly pleasing album that provides not only an enjoyable listening experience,
but one that leads its audience
into an interactive state of worship. I’d be hard pressed to number
the times the songs I initially viewed as simple have led me to tears of
repentance and rejoicing. This resulting emotional response and turning towards
God in a listener should be the highest praise an album can receive.
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